Jordan Stempleman
ABOUT
Jordan Stempleman is the author of nine collections of poetry including Cover Songs (the Blue Turn), Wallop, and No, Not Today (Magic Helicopter Press). Stempleman is the co-editor of The Continental Review, editor for Windfall Room, faculty advisor for the literary arts magazine Sprung Formal, and curator of A Common Sense Reading Series.
In 2013, The Huffington Post listed Stempleman as one of “The Top 200 Advocates of American Poetry.” He is an associate professor in the Liberal Arts Department at the Kansas City Art Institute.
Recent Interviews:
"ON COVER SONGS, WITH JORDAN STEMPLEMAN: AN INTERVIEW BY CAMERON MORSE," HARBOR REVIEW
"AND COULD THEY HEAR ME I WOULD TELL THEM," EXCLAMATION'S GAUNTLET
THE CONTINENTAL REVIEW
Established in 2007, The Continental Review is one of the longest-running online literary magazines devoted to video poetics.
Suspended between two continents and two forms, providing an international haven for hybridized imagistic objects, the review is jointly edited by Nicholas Manning in Paris, France, and Jordan Stempleman in Kansas City, MO., USA.
A COMMON SENSE
READING SERIES
Upcoming
ARCHIVED REMOTE READINGS
A Common Sense Reading Series Archives
A Common Sense Reading: Ian U Lockaby & Emily Stoddard
A Common Sense Reading: Ian U Lockaby & Emily Stoddard
A Common Sense Reading: Ariana Benson, Jessica Cuello & Prairie Moon Dalton
A Common Sense Reading: Joseph Bradshaw, Emily Kendal Frey & Sylvia Jones
LIST OF READERS
2022-2011
SPRUNG FORMAL
Sprung Formal is a literary arts journal published annually in association with the Liberal Arts Department at the Kansas City Art Institute.
Since 2005, Sprung Formal has been a student-edited and produced literary magazine. We pride ourselves on combining professional content with professional-grade student work, in a magazine that is itself an interesting object.
WINDFALL ROOM
Windfall Room is a poetry publication & archive presenting high-quality video recitations.
We love all manner of poems. The most common way to experience a poem, even on digital platforms, is through the written word. Far less common by comparison, but no less wonderful, is to experience a poem well-recited by a human. We wish to be a place for recited poems.
Each issue Windfall Room publishes a poet reciting one of their own works in a high-quality audio/video format. There is no accompanying text version of the poem.