ABOUT

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Jordan Stempleman is the author of nine collections of poetry including Cover Songs (the Blue Turn), Wallop, and No, Not Today (Magic Helicopter Press). Stempleman is the co-editor of The Continental Review, editor for Windfall Room, faculty advisor for the literary arts magazine Sprung Formal, and curator of A Common Sense Reading Series.

 

In 2013, The Huffington Post listed Stempleman as one of “The Top 200 Advocates of American Poetry.” He is an associate professor in the Liberal Arts Department at the Kansas City Art Institute.

 

 

BOOKS 

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COVER SONGS

DOUBLED OVER

FACINGS

WALLOP

STRING PARADE

WHAT'S THE MATTER

NO, NOT TODAY

THE TRAVELS

THEIR FIELDS

THE CONTINENTAL REVIEW

Established in 2007, The Continental Review is one of the longest-running online literary magazines devoted to video poetics.

Suspended between two continents and two forms, providing an international haven for hybridized imagistic objects, the review is jointly edited by Nicholas Manning in Paris, France, and Jordan Stempleman in Kansas City, MO., USA.

 

A COMMON SENSE

READING SERIES

Upcoming 

RECENT

Daniel Biegelson & Charlotte Rose Samuels 
April 16, 2022

 
 

SPRUNG FORMAL

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Sprung Formal is a literary arts journal published annually in association with the Liberal Arts Department at the Kansas City Art Institute.

 

Since 2005, Sprung Formal has been a student-edited and produced literary magazine. We pride ourselves on combining professional content with professional-grade student work, in a magazine that is itself an interesting object.

 

WINDFALL ROOM

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Windfall Room is a poetry publication & archive presenting high-quality video recitations.


We love all manner of poems. The most common way to experience a poem, even on digital platforms, is through the written word. Far less common by comparison, but no less wonderful, is to experience a poem well-recited by a human. We wish to be a place for recited poems.

Each issue Windfall Room publishes a poet reciting one of their own works in a high-quality audio/video format. There is no accompanying text version of the poem.

 

CONTACT